María Antonieta: Difference between revisions
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'''[1934]: Editora Guanabara, Rio de Janeiro''' | '''[1934]: Editora Guanabara, Rio de Janeiro''' | ||
''María Antonieta'' [Marie Antoinette. Bildnis eines mittleren Charakters]. Translated by Medeiros e Albuquerque. | ''María Antonieta'' [Marie Antoinette. Bildnis eines mittleren Charakters]. Translated by Medeiros e Albuquerque. 485p. Illustrated | ||
*lst edition. 485p. 1934 | |||
*2nd edition. 372p. 1936 | |||
*3rd edition. 370p. 1938 | |||
*4th edition. x/428p. 1942 | |||
Revision as of 15:37, 28 July 2017
[1934]: Editora Guanabara, Rio de Janeiro
María Antonieta [Marie Antoinette. Bildnis eines mittleren Charakters]. Translated by Medeiros e Albuquerque. 485p. Illustrated
- lst edition. 485p. 1934
- 2nd edition. 372p. 1936
- 3rd edition. 370p. 1938
- 4th edition. x/428p. 1942
[2013]: Jorge Zahar Editor, Rio de janeiro
María Antonieta. Retrato de uma mulher comum [Marie Antoinette. Bildnis eines mittleren Charakters]. Translated by Irene Aron. Preface and afterword by Alberto Dines. 502/(2)p.
Contents:
[1].
Prefácio: "Marie-Antoinette c'est moi" [Alberto Dines], pp. 9-11
[2].
María Antonieta. Retrato de uma mulher comum [46 chapters], pp. 13-486
[3].
Cronologia história, pp. 487-489
[4].
Posfácio: O making-of de M.A. [Alberto Dines], pp. 490-499
[5].
Anexo: "A história e a tela". [Autor austríaco debate a filmagem de eventos de tempos passados], pp. 500-502. This article first appeared as "History and the Screen" in the New York Times [New York], 8 April 1934, Section 10, p. 4. Concerning the "mission of the historical film" and the Metro-Goldwin-Mayer filming of Marie Antoinette, directed by W. S. Van Dyke and released in 1938