Larkin, T. Lawrence: Difference between revisions

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:'''[5/11]'''. Notes, pp. 90-100
:'''[5/11]'''. Notes, pp. 90-100
:'''[5/12]'''. References, pp. 100-104
:'''[5/12]'''. References, pp. 100-104
'''[6]'''. Chapter 3. Irving Thalberg's Film Production, 1934-1936, pp. 105-185
:'''[6/1]'''. (Preface), pp. 105-108
:'''[6/2]'''. European and American Approaches to Historical Films in the 1920s, pp. 108-114






[[Category:Secondary Literature / Authors (English)]]
[[Category:Secondary Literature / Authors (English)]]

Revision as of 15:21, 9 October 2019

[2019]: Palgrave Macmillan, Cham, Switzerland

In Search of Marie-Antoinette in the 1930s: Stefan Zweig, Irving Thalberg, and Norma Shearer. 296p. Richly illustrated with many photographs

Contents:

[1]. Preface [T. Lawrence Larkin], pp. vii-(x)

[2]. Contents, pp. xi-xiii

[3]. List of Figures, pp. xv-xx

[4]. Chapter 1. In Search of Marie-Antoinette: The Inscrutable Life Worth Scrutinizing, pp. 1-23

[4/1]. (Preface), pp. 1-4
[4/2]. Scholarship to Date: The Myth of "Marie-Antoinette", pp. 4-10
[4/3]. Scholarship to Date: "Objectivity" in the Writing of History, "Authenticity" in the Production of Film, pp. 10-15
[4/4]. Scholarship to Date: Zweig, Thalberg and Shearer in Documents and Biographies, pp. 16-18
[4/5]. Structure and Method of the Argument, pp. 18-22
[4/6]. References, pp. 22-23

[5]. Chapter 2. Stefan Zweig's Clinical Biography, 1930-1932, pp. 25-104

[5/1]. (Preface), pp. 25-27
[5/2]. Western European Approaches to Illustrated Biographty in the 1920s, pp. 27-32
[5/3]. Zweig's Approach to Psychological Biography, pp. 32-41
[5/4]. Zweig's Approach to the French Revolution, pp. 41-46
[5/5]. Merging Dominant Interpretations of Marie-Antoinette, pp. 46-57
[5/6]. Structure of the Argument, pp. 57-59
[5/7]. Marie-Antoinette's Psychological Transformation: Cause, Manifestations, and Cure, pp. 59-68
[5/8]. Marie-Antoinette's Spiritual Transformation: Awakening, Resistance and Acceptance, pp. 68-80
[5/9]. Writing Historical Biography as an "Interested" Undertaking, pp. 80-86
[5/10]. Zweig on Film Adaptations of Historical Biographies, pp. 86-90
[5/11]. Notes, pp. 90-100
[5/12]. References, pp. 100-104

[6]. Chapter 3. Irving Thalberg's Film Production, 1934-1936, pp. 105-185

[6/1]. (Preface), pp. 105-108
[6/2]. European and American Approaches to Historical Films in the 1920s, pp. 108-114