Yoroppa shiso no rekishiteki hatten: Difference between revisions

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Yoroppa no doutokuteki  kyusai [Die moralische Entgiftung Europas, Rom 1932], pp. 42-64
Yoroppa no doutokuteki  kyusai [Die moralische Entgiftung Europas, Rom 1932], pp. 42-64
Kino no Wiin [Das Wien von gestern, Paris 1940], pp. 65-98
Kino no Wiin [Das Wien von gestern, Paris 1940], pp. 65-98
#Asu no rekishi kijutsu [Geschichtsschreibung von morgen]. [5]. Sozo suru shijin  toshite no rekishi [Die Geschichte als Dichterin]
Asu no rekishi kijutsu [Geschichtsschreibung von morgen, Amerika 1939], pp. 99-130
#Bomeisha  no yado [Das Haus der tausend Schicksale]
Sozo suru shijin  toshite no rekishi [Die Geschichte als Dichterin, Stockholm 1939], pp. 131-165
#Montenyu [Montaigne]
Bomeisha  no yado [Das Haus der tausend Schicksale, Lonndon 1937], pp. 166-173
Montenyu [Montaigne, Stockholm ]
#Yakusha atogaki [Translator’s afterword and notes] [Nobuo Iizuka. “Yakusha  no atogaki”, pp. 193-204]
#Yakusha atogaki [Translator’s afterword and notes] [Nobuo Iizuka. “Yakusha  no atogaki”, pp. 193-204]
 
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[[Category:Essays / Volumes (Japanese)]]
[[Category:Essays / Volumes (Japanese)]]

Revision as of 16:43, 19 February 2014

[1967]: Risosha, Tokyo

Yoroppa shiso no rekishiteki hatten [Der europäische Gedanke in seiner historischen Entwicklung]. Translated with an afterword and notes by Nobuo Iizuka. 204p. 2 pages of photographs

Contents:

[1].
Yoroppa shiso no rekishiteki hatten [Der europäische Gedanke in seiner historischen Entwicklung. Firenze 1932], pp. 5-41
[2].
Yoroppa no doutokuteki kyusai [Die moralische Entgiftung Europas, Rom 1932], pp. 42-64
[3].
Kino no Wiin [Das Wien von gestern, Paris 1940], pp. 65-98
[4].
Asu no rekishi kijutsu [Geschichtsschreibung von morgen, Amerika 1939], pp. 99-130
[5].
Sozo suru shijin toshite no rekishi [Die Geschichte als Dichterin, Stockholm 1939], pp. 131-165
[6].
Bomeisha no yado [Das Haus der tausend Schicksale, Lonndon 1937], pp. 166-173
[7].
Montenyu [Montaigne, Stockholm ]
[8].
Yakusha atogaki [Translator’s afterword and notes] [Nobuo Iizuka. “Yakusha no atogaki”, pp. 193-204]